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Kamusal Alanda Sanatın Nehir Kıyısı Kentsel Tasarıma Etkileri: Amasya Örneği

Year 2022, Issue: 18, 87 - 112, 29.07.2022

Abstract

Amasya, içinden Yeşilırmak’ın geçtiği, nehir kıyısına tarihî Yalıboyu evlerinin konumlandığı çok katmanlı bir şehirdir. Zaman içerisinde nehir kıyısına çeşitli müdahaleler yapılarak alanın turistik bir çekim noktası olması sağlanmaya çalışılmıştır. Yalıboyu evleri ve Yeşilırmak’ın güneyinde Mağdenüs Köprüsü ile Taş Köprü arasında kalan alanın doldurulması ile yapılan Yalıboyu Promenatı, 2000’li yıllardan sonra üzerinde sanatın da yer aldığı kamusal bir mekân olmaya başlamıştır. Sanatın nehir kıyısı kentsel tasarımları nasıl etkilediği ise bu çalışmanın çıkış noktasını oluşturmaktadır. Çalışmanın amacı Amasya’da nehir kıyısındaki kamusal alanda bulunan sanat eserlerini incelemek ve bulundukları tarihî alanda kentle olan ilişkilerini araştırmaktır. Çalışmada Lynch’in kentsel mekân okuma tekniği olan odak noktasındaki işaretlerini temsil eden sanat eserlerinin kent içindeki yerleri tartışılmıştır. Bulgular, insanların nehir kıyısında gezerken karşılarında tarihî bir doku varsa kamusal alanda sanatın beklenen etkiyi gösteremediğini ortaya koymaktadır. Kamusal alanda sanatın ısmarlama işler olmaktan öte, yer ile uyumlu ve vurgulu olması ve kenti canlandıracak şekilde tasarlanacak yeni kamusal alanlarda yapılarak farklı odak noktaları oluşturması ise gelecek öngörüsüdür.

References

  • Advances in Art and Urban Futures. Edited by Sarah Bennett and John Butler. UK: Intellect Books, 2001.
  • Amin, Ash. “Collective Culture and Urban Public Space”. City: Analysis of Urban Change, Theory, Action 12/1 (2008): 5-24. Accessed May 1, 2020. https://doi.org/10.1080/13604810801933495
  • Andron, Sabina. “Selling Streetness as Experience: The Role of Street Art Tours in Branding the Creative City”. The Sociological Review 66/5 (2018): 1036-1057.
  • Bayram, Bahar. “Kamusal Mekan Kalitesinin Yükseltilmesinde Yöntemler ve Kamusal Sanatın Rolü”. MSc Thesis, Istanbul Technical University, 2007.
  • Bechhoffer, William. “The Future of Tradition”. Traditional Environments in a New Millennium: Defining Principles and Professional Practice. Edited by Hülya Turgut and Peter Lellett. Istanbul: IAPS-CSBE “Culture and Space in Built Environment” Network, 2002.
  • Boyer, Christina M. The City of Collective Memory: Its Historical Imagery and Architectural Entertainments. Cambridge: MIT Press, 1996.
  • Breen, Ann and Dick Rigby. The New Waterfront: A Worldwide Urban Success Story. New York: McGraw-Hill Professional, 1996.
  • Bruttomesso, Rinio. Waterfronts: A New Frontier for Cities on Water. Venice: International Cities on Water, 1993.
  • Buren, Daniel. Can Art Get Down from Its Pedestal and Rise to Street Level Sculpture: Project in Munster. Edited by Klauss Brussman, Kaspar Köning and Florian Matzner. Münster: Verlag Gerd Hatje, 1997.
  • Carmona, Matthew. “Contemporary Public Space, Part Two: Classification”. Journal of Urban Design 15/2 (2010): 157-173. Accessed May 5, 2020. https://doi.org/10.1080/13574801003638111
  • Tanja Simonic, “Preference and Perceived Naturalness in Visual Perception of Naturalistic Landscapes,” Journal of Biotechnology 81-2 (2003), 369-387.
  • Cozzolino, Francesco. “The ‘Artification’ Process in the Case of Murals in Sardinia”. Context of Design, Circulation and Consumption. Edited by Ricardo Campo and Clara Sarmento. Cambridge: Cambridge Scholars Publishing, 2014.
  • Csapó, Janos. “The Role and Importance of Cultural Tourism in Modern Tourism Industry”. Strategies for Tourism Industry: Micro and Macro Perspectives. Edited by Murat Kasimoglu and Handan Aydin. Rijeka: InTech, 2012.
  • Çalışır Adem, Bilge Şimşek İlhan, Deniz Aytaç and Emel Birer. “Tarihi Dokuda Kentsel Müdahale Biçimi Olarak Kamusal Sanat: Amasya Örneği”. Art-e Sanat Dergisi 12/24 (2019): 650-676. Accessed May 1, 2020. doi: 10.21602/sduarte.540853.
  • Deutsche, Rosayln. Evictions: Art and Spatial Politics. Cambridge: The MIT Press, 1996, 58. Du Cros, Hillary and Bob Mckercher. Cultural Tourism. London; New York: Routledge, 2002, 4.
  • Edensor, Tim. “Staging Tourism: Tourists as Performers”. Annals of Tourism Research 27 (2000): 322-344.
  • Erder, Cevat. Tarihi Çevre Algısı. Edited by: Yasemin Didem Aktaş and Filiz Diri Akyıldız. Istanbul: YEM Publishing, 2018.
  • Erdemci, Fulya, “Kamusal Alanda Sanat”, Unlimited (2020). Accessed June 5, 2021. https://www.unlimitedrag.com/post/kamusal-alanda-sanat
  • Evans, Gary W., Mary Anne Skorpanich, Tommy Gärling, Kendall J. Bryant and Brian Bresolin. “The Effects of Pathway Configuration, Landmarks and Stress on Environmental Cognition”. Journal of Environmental Psychology 4(4), (1984): 323-335.
  • Finkelpearl, Tom. Dialogues in Public Art. Cambridge: The MIT Press, 2001.
  • Mackenzie, Fiona and Sue Jane Taylor. “Claims to Place: The Public Art of Sue Jane Taylor”.
  • Gender Place Culture 13 (2006): 605-627.
  • Goldman G. M. Associates. “Celebrate the Rivers: A Public Strategy for Public and Private Development in Three Rivers Park”. Edited by Public Art Subcommittee Riverlife Task Force Urban Design Committee, Final Draft (2006). Accessed May 1, 2020. https://riverlifepgh.org/ wp-content/uploads/2016/11/Riverlife-Public-Art-Strategy.pdf
  • Gressel, Katherine. “Participatory Public Art Evaluation: Approaches to Researching Audience Response”. A Companion to Public Art. New York: Wiley-Blackwell, 2016.
  • Hall, Tim. “Artful Cities”. Geography Compass 1/6 (2007): 1376-1392. Accessed May 1, 2020. https://doi.org/10.1111/j.1749-8198.2007.00064.x
  • Hall, Tim and Chereen Smith. The Public Art in the City: Meanings, Values, Attitudes and Roles, Interventions. Edited by Melcolm Miles and Tim Hall. Bristol GBR: Intellect Books, 2005.
  • Hall, Tim and Iain Robertson. “Public Art and Urban Regeneration: Advocacy, Claims, and Critical Debates”. Landscape Research 26 (1), (2001): 5-26.
  • Harvey, David. The Urban Experience. Baltimore: The Johns Hopkins University, 1989.
  • Hoppe, Ilaria. Urban Art: Creating Urban with Art. Edited by Ulrich Blanche and Ilaria Hoppe, Lisbon: Pedro Soarez Neves, 2019. Accessed May 1, 2020. http://doi.org/10.2478/kwg-2019- 0001
  • ICOMOS. “The Icomos Charter for the Interpretation and Presentation of Cultural Heritage Sites 2008. Accessed June 26, 2021. http://www.icomos.org.tr/Dosyalar/ICOMOSTR_ en0066198001536912401.pdf
  • Januchta-Szostak, Anna. “The Role of Public Visual Art in Urban Space Recognition”. Cognitive Maps. Olajnica: Intech, 2010, 75-101. Accessed May 1, 2020. doi: 10.5772/7120
  • Jażdżewska, Iwona. “Murals as a Tourist Attraction in a Post-Industrial City: A Case Study of Lodz (Poland)”. Tourism 27/2 (2018): 45-56.
  • Karaman, Aykut. “Urban Design: Theories, Principles, Roles”. Mimarist 29 (2008): 34-52.
  • Karimimoshaver, Mehrdad. “Approaches and Methods in Urban Aesthetics”. The Monthly Scientific Journal of Bagh-e Nazar 10 (2013): 47-56.
  • Karimimoshaver, Mehrdad, Hatameh Hatameh, Manouchehr Shokri, Shakila Khalesro, Farshid Aram and Shahab Shamshirband. “Model for Locating Tall Buildings Through a Visual Analysis Approach”. Applied Sciences, 6072 (2020): 1-25.
  • https://doi.org/10.3390/app10176072.
  • Karimimoshaver, Mehrdad, Bahare Eris, Farshid Aram and Amir Mosavi. “Art in Urban Spaces”.
  • Sustainability 13 (10), 5597 (2021): 1-19. https://doi.org/10.3390/su13105597
  • Kılıç, Ali. “Kıyıdan Geri Çekilme Sürecinde Kent-Kıyı İ lişkisi, Kentsel Kıyı Tanımı ve Bu Kavrama Dayalı Kentsel Kıyı Gelişme Stratejileri: İ stanbul Örneği”. PhD. Thesis, Yıldız Technical University, 1999.
  • Koster, Rhonda and E. James Randall, “Indicators of Community Economic Development Through Mural-Based Tourism”. The Canadian Geographer 49/1 (2006): 42-60.
  • Kostof, Spiro. The City Shape: Urban Patterns and Meanings Through History. London: Thames and Hudson LTD, 1999.
  • Kuban, Doğan. Anadolu Kentlerinin Tarihsel Gelişimi ve Yapısı Üzerine Gözlemler Türk ve İslam Sanatı Üzerine Denemeler. İstanbul: Arkeoloji ve Sanat Yayınları, 1995.
  • Kuzucular, Kani. “Historical Development of the Physical Structure of Amasya”. PhD Thesis, Istanbul Technical University, 1994.
  • Kwon, Miwon. “Sitings of Public Art: Integration versus Intervention”. One Place After Another: Site Specific Art and Locational Identitiy. Cambridge: The MIT Press, 2002.
  • Lacy, Suzanne. Mapping the Terrain: New Genre Public Art. Seattle: Bay Press, 1995. Lynch, Kevin. The Image of the City. Cambridge: The MIT Press, 1960.
  • Massey, Doreen and Gillian Rose. “Personal Views: Public Art Research Project”. UK: The Open University: Milton Keynes, 2003. Accessed June 5, 2021. https://publicartonline.org.uk/ resources/research/personal_views.php.html
  • Matarasso, Francois. Use or Ornament? The Social Impact of Participation in the Arts. Stroud: Comedia, 1997.
  • Mccarthy, John. “Regeneration of Cultural Quarters: Public Art for Place Image or Place Identity?” J. Urban Design 11 (2006): 243-262.
  • McDowell, Sara. “Selling Conflict Heritage Through Tourism in Peacetime Northern Ireland: Transforming Conflict or Exacerbating Difference?”. International Journal of Heritage Studies 14/5 (2008): 405-421.
  • Miguel-Molina, Maria, Virginia Santamarina-Campos, Blanca Miguel Molina and Marival Segerra- Ona. “Creative Cities and Sustainable Development: Mural Based Tourism as a Local Public Strategy”. Direccion y Organizacion 50 (2013): 31-36.
  • Miles, Malcolm. Art, Space and the City: Public Art and Urban Futures. London: Routledge, 1997.
  • Mitchell, William J. Thomas. Art and Public Square. Chicago: The University of Chicago Press, 1992.
  • Moughtin, Cliff, Taner Oc and Tiesdell Steven. Urban Design Ornament and Decoration. Oxford: Architectural Press, 1995.
  • Mokras-Grabowska, Justyna. “Art-Tourism Space in Lodz: The Example of the Urban Forms Gallery”. Tourism 24/2 (2014): 23-30.
  • Muretta, Peri, Mark J. Hershman and Robert F. Goodwin. Waterfront Revitalization Plans and Projects in Six Washington Cities. Seattle: Washington Sea Grant, Division of Marine Resources, University of Washington, 1981.
  • Özdemir, Celal. “Amasya”. Arkitekt 441 (1996): 28-35.
  • Poon, Stephen. “Street Murals as a Unique Tangible Cultural Heritage: A Case Study of Artifact Value Preservation”. International Journal of Cultural and Creative Industries 4/1 (2016): 48-61.
  • Porch, Rebecca. “Public Art- an off the Wall Prepositions?” Urban Studies 76 (2000): 16-19.
  • Remesar, Antoni. Public Art: Towards a Theoretical Framework Urban Regeneration a Challenge for Public Art. Barcelona: Publications de la Universitat de Barcelona, 2001.
  • Rendell, Jane. Art and Architecture: A Place Between. London: IB Tauris, 2006.
  • Richards, Greg. “Creativity and Tourism: The State of the Art”. Annals of Tourist Research 38/4 (2011): 1225-1253.
  • Richards, Greg and Lenia Marques. “Exploring Creative Tourism: Editors Introduction”. Journal of Tourism Consumption and Practice 4/2 (2012): 1-11.
  • Richards, Greg. “Cultural Tourism: A Review of Recent Research and Trends”. Journal of Hospitality and Tourism Management 36 (2018): 12-21.
  • Santamarina-Campos, Virginia, Blanca de-Miguel-Molina, Maria de-Miguel-Molina and Marival Segerra-Ona. “Digital Integration of the European Street Art: Tourism, Identity and Scientific Opportunuties.” Tourism, Culture and Heritage in a Smart Economy: 3rd International Conference IACuDit. Edited by Vicky Katsoni, Amitabh Upadyah and Anastasia Stratigea. Cham: Springer, 2017, 35-47.
  • Selwood, Sara. “The Benefits of Public Art”. Cultural Trends 6/23 (1994): 37-55. Accessed May 5, 2020. https://doi.org/10.1080/09548969409364980
  • Sheikh, Simon. Kamusal Alanın Yeri Ne mi? Edited by Pelin Tan and Sezgin Boynik. Istanbul: İstanbul Bilgi University Press, 2007.
  • Sharp, Joanne, Venda Pollock and Ronan Paddison. “Just Art for a Just City: Public Art and Social Inclusion in Urban Regeneration”. Urban Studies 42 (2005): 1001-1023.
  • Simonic, Tanja. “Preference and Perceived Naturalness in Visual Perception of Naturalistic Landscapes.” Journal of Biotechnology 81-2 (2003): 369-387.
  • Smith, Melanie. Issues in Cultural Tourism Studies. London, New York: Routledge, 2003, 145.
  • Strabon. Antik Anaolu Coğrafyası (1. yy). Translated by Adnan Pekman. İstanbul: Arkeoloji ve Sanat Yayınları, 2000.
  • Torre, L. Azoe. Waterfront Development. New York: Van Nostrand Reinhold, 1989.
  • Tuzcu, Ali. İlkçağlardan Cumhuriyete Seyahatnamelerde Amasya. Amasya: Amasya Belediyesi Kültür Yayınları, 2007.
  • Whyte, William. The Social Life of Small Urban Spaces. New York: Project for Public Spaces, 1980.
  • Varol, Elif Başak. “İnsan Çevre Etkileşimi Açısından Kamusal Mekanda Sanatın Rolü”. MSc Thesis, Istanbul Technical University, 2004.
  • Zebracki, Martin. “Beyond Public Artopia: Public Art as Perceived by its Publics”. GeoJournal 78 (2013): 303-317.

Contributions of Art in Public Space to the Riverside Urbanity: Amasya Examplar

Year 2022, Issue: 18, 87 - 112, 29.07.2022

Abstract

Amasya is a multilayered city with the Yeşilırmak river flowing through and historical Yalıboyu houses on the riverbank in the city center. This area has been the object of attempts to transform it into a tourist attraction. The Yalıboyu Promenade, which was built by filling the area between the Yalıboyu houses and the Mağdenüs Bridge and the Taş Bridge in the south of Yeşilırmak, started to become a public space on which art began to take place after the 2000s. How the art performed in the riverside area affects the urban design is the departure point of this study. The research question is whether the public artwork along the riverbank promenade contributes to the urban image. The aim is to investigate the artwork on the bank and discuss their relationships to the city. The methodology consists of one phase is about the urban reading method of Lynch, the positions of the artwork as focal points have been discussed. Findings show that in the existence of a historical texture, art fails to have the aspired effect. What fits better the future projection is to implement aesthetic public art to revive new urban areas designed in the public areas of the city for the different focal points.

References

  • Advances in Art and Urban Futures. Edited by Sarah Bennett and John Butler. UK: Intellect Books, 2001.
  • Amin, Ash. “Collective Culture and Urban Public Space”. City: Analysis of Urban Change, Theory, Action 12/1 (2008): 5-24. Accessed May 1, 2020. https://doi.org/10.1080/13604810801933495
  • Andron, Sabina. “Selling Streetness as Experience: The Role of Street Art Tours in Branding the Creative City”. The Sociological Review 66/5 (2018): 1036-1057.
  • Bayram, Bahar. “Kamusal Mekan Kalitesinin Yükseltilmesinde Yöntemler ve Kamusal Sanatın Rolü”. MSc Thesis, Istanbul Technical University, 2007.
  • Bechhoffer, William. “The Future of Tradition”. Traditional Environments in a New Millennium: Defining Principles and Professional Practice. Edited by Hülya Turgut and Peter Lellett. Istanbul: IAPS-CSBE “Culture and Space in Built Environment” Network, 2002.
  • Boyer, Christina M. The City of Collective Memory: Its Historical Imagery and Architectural Entertainments. Cambridge: MIT Press, 1996.
  • Breen, Ann and Dick Rigby. The New Waterfront: A Worldwide Urban Success Story. New York: McGraw-Hill Professional, 1996.
  • Bruttomesso, Rinio. Waterfronts: A New Frontier for Cities on Water. Venice: International Cities on Water, 1993.
  • Buren, Daniel. Can Art Get Down from Its Pedestal and Rise to Street Level Sculpture: Project in Munster. Edited by Klauss Brussman, Kaspar Köning and Florian Matzner. Münster: Verlag Gerd Hatje, 1997.
  • Carmona, Matthew. “Contemporary Public Space, Part Two: Classification”. Journal of Urban Design 15/2 (2010): 157-173. Accessed May 5, 2020. https://doi.org/10.1080/13574801003638111
  • Tanja Simonic, “Preference and Perceived Naturalness in Visual Perception of Naturalistic Landscapes,” Journal of Biotechnology 81-2 (2003), 369-387.
  • Cozzolino, Francesco. “The ‘Artification’ Process in the Case of Murals in Sardinia”. Context of Design, Circulation and Consumption. Edited by Ricardo Campo and Clara Sarmento. Cambridge: Cambridge Scholars Publishing, 2014.
  • Csapó, Janos. “The Role and Importance of Cultural Tourism in Modern Tourism Industry”. Strategies for Tourism Industry: Micro and Macro Perspectives. Edited by Murat Kasimoglu and Handan Aydin. Rijeka: InTech, 2012.
  • Çalışır Adem, Bilge Şimşek İlhan, Deniz Aytaç and Emel Birer. “Tarihi Dokuda Kentsel Müdahale Biçimi Olarak Kamusal Sanat: Amasya Örneği”. Art-e Sanat Dergisi 12/24 (2019): 650-676. Accessed May 1, 2020. doi: 10.21602/sduarte.540853.
  • Deutsche, Rosayln. Evictions: Art and Spatial Politics. Cambridge: The MIT Press, 1996, 58. Du Cros, Hillary and Bob Mckercher. Cultural Tourism. London; New York: Routledge, 2002, 4.
  • Edensor, Tim. “Staging Tourism: Tourists as Performers”. Annals of Tourism Research 27 (2000): 322-344.
  • Erder, Cevat. Tarihi Çevre Algısı. Edited by: Yasemin Didem Aktaş and Filiz Diri Akyıldız. Istanbul: YEM Publishing, 2018.
  • Erdemci, Fulya, “Kamusal Alanda Sanat”, Unlimited (2020). Accessed June 5, 2021. https://www.unlimitedrag.com/post/kamusal-alanda-sanat
  • Evans, Gary W., Mary Anne Skorpanich, Tommy Gärling, Kendall J. Bryant and Brian Bresolin. “The Effects of Pathway Configuration, Landmarks and Stress on Environmental Cognition”. Journal of Environmental Psychology 4(4), (1984): 323-335.
  • Finkelpearl, Tom. Dialogues in Public Art. Cambridge: The MIT Press, 2001.
  • Mackenzie, Fiona and Sue Jane Taylor. “Claims to Place: The Public Art of Sue Jane Taylor”.
  • Gender Place Culture 13 (2006): 605-627.
  • Goldman G. M. Associates. “Celebrate the Rivers: A Public Strategy for Public and Private Development in Three Rivers Park”. Edited by Public Art Subcommittee Riverlife Task Force Urban Design Committee, Final Draft (2006). Accessed May 1, 2020. https://riverlifepgh.org/ wp-content/uploads/2016/11/Riverlife-Public-Art-Strategy.pdf
  • Gressel, Katherine. “Participatory Public Art Evaluation: Approaches to Researching Audience Response”. A Companion to Public Art. New York: Wiley-Blackwell, 2016.
  • Hall, Tim. “Artful Cities”. Geography Compass 1/6 (2007): 1376-1392. Accessed May 1, 2020. https://doi.org/10.1111/j.1749-8198.2007.00064.x
  • Hall, Tim and Chereen Smith. The Public Art in the City: Meanings, Values, Attitudes and Roles, Interventions. Edited by Melcolm Miles and Tim Hall. Bristol GBR: Intellect Books, 2005.
  • Hall, Tim and Iain Robertson. “Public Art and Urban Regeneration: Advocacy, Claims, and Critical Debates”. Landscape Research 26 (1), (2001): 5-26.
  • Harvey, David. The Urban Experience. Baltimore: The Johns Hopkins University, 1989.
  • Hoppe, Ilaria. Urban Art: Creating Urban with Art. Edited by Ulrich Blanche and Ilaria Hoppe, Lisbon: Pedro Soarez Neves, 2019. Accessed May 1, 2020. http://doi.org/10.2478/kwg-2019- 0001
  • ICOMOS. “The Icomos Charter for the Interpretation and Presentation of Cultural Heritage Sites 2008. Accessed June 26, 2021. http://www.icomos.org.tr/Dosyalar/ICOMOSTR_ en0066198001536912401.pdf
  • Januchta-Szostak, Anna. “The Role of Public Visual Art in Urban Space Recognition”. Cognitive Maps. Olajnica: Intech, 2010, 75-101. Accessed May 1, 2020. doi: 10.5772/7120
  • Jażdżewska, Iwona. “Murals as a Tourist Attraction in a Post-Industrial City: A Case Study of Lodz (Poland)”. Tourism 27/2 (2018): 45-56.
  • Karaman, Aykut. “Urban Design: Theories, Principles, Roles”. Mimarist 29 (2008): 34-52.
  • Karimimoshaver, Mehrdad. “Approaches and Methods in Urban Aesthetics”. The Monthly Scientific Journal of Bagh-e Nazar 10 (2013): 47-56.
  • Karimimoshaver, Mehrdad, Hatameh Hatameh, Manouchehr Shokri, Shakila Khalesro, Farshid Aram and Shahab Shamshirband. “Model for Locating Tall Buildings Through a Visual Analysis Approach”. Applied Sciences, 6072 (2020): 1-25.
  • https://doi.org/10.3390/app10176072.
  • Karimimoshaver, Mehrdad, Bahare Eris, Farshid Aram and Amir Mosavi. “Art in Urban Spaces”.
  • Sustainability 13 (10), 5597 (2021): 1-19. https://doi.org/10.3390/su13105597
  • Kılıç, Ali. “Kıyıdan Geri Çekilme Sürecinde Kent-Kıyı İ lişkisi, Kentsel Kıyı Tanımı ve Bu Kavrama Dayalı Kentsel Kıyı Gelişme Stratejileri: İ stanbul Örneği”. PhD. Thesis, Yıldız Technical University, 1999.
  • Koster, Rhonda and E. James Randall, “Indicators of Community Economic Development Through Mural-Based Tourism”. The Canadian Geographer 49/1 (2006): 42-60.
  • Kostof, Spiro. The City Shape: Urban Patterns and Meanings Through History. London: Thames and Hudson LTD, 1999.
  • Kuban, Doğan. Anadolu Kentlerinin Tarihsel Gelişimi ve Yapısı Üzerine Gözlemler Türk ve İslam Sanatı Üzerine Denemeler. İstanbul: Arkeoloji ve Sanat Yayınları, 1995.
  • Kuzucular, Kani. “Historical Development of the Physical Structure of Amasya”. PhD Thesis, Istanbul Technical University, 1994.
  • Kwon, Miwon. “Sitings of Public Art: Integration versus Intervention”. One Place After Another: Site Specific Art and Locational Identitiy. Cambridge: The MIT Press, 2002.
  • Lacy, Suzanne. Mapping the Terrain: New Genre Public Art. Seattle: Bay Press, 1995. Lynch, Kevin. The Image of the City. Cambridge: The MIT Press, 1960.
  • Massey, Doreen and Gillian Rose. “Personal Views: Public Art Research Project”. UK: The Open University: Milton Keynes, 2003. Accessed June 5, 2021. https://publicartonline.org.uk/ resources/research/personal_views.php.html
  • Matarasso, Francois. Use or Ornament? The Social Impact of Participation in the Arts. Stroud: Comedia, 1997.
  • Mccarthy, John. “Regeneration of Cultural Quarters: Public Art for Place Image or Place Identity?” J. Urban Design 11 (2006): 243-262.
  • McDowell, Sara. “Selling Conflict Heritage Through Tourism in Peacetime Northern Ireland: Transforming Conflict or Exacerbating Difference?”. International Journal of Heritage Studies 14/5 (2008): 405-421.
  • Miguel-Molina, Maria, Virginia Santamarina-Campos, Blanca Miguel Molina and Marival Segerra- Ona. “Creative Cities and Sustainable Development: Mural Based Tourism as a Local Public Strategy”. Direccion y Organizacion 50 (2013): 31-36.
  • Miles, Malcolm. Art, Space and the City: Public Art and Urban Futures. London: Routledge, 1997.
  • Mitchell, William J. Thomas. Art and Public Square. Chicago: The University of Chicago Press, 1992.
  • Moughtin, Cliff, Taner Oc and Tiesdell Steven. Urban Design Ornament and Decoration. Oxford: Architectural Press, 1995.
  • Mokras-Grabowska, Justyna. “Art-Tourism Space in Lodz: The Example of the Urban Forms Gallery”. Tourism 24/2 (2014): 23-30.
  • Muretta, Peri, Mark J. Hershman and Robert F. Goodwin. Waterfront Revitalization Plans and Projects in Six Washington Cities. Seattle: Washington Sea Grant, Division of Marine Resources, University of Washington, 1981.
  • Özdemir, Celal. “Amasya”. Arkitekt 441 (1996): 28-35.
  • Poon, Stephen. “Street Murals as a Unique Tangible Cultural Heritage: A Case Study of Artifact Value Preservation”. International Journal of Cultural and Creative Industries 4/1 (2016): 48-61.
  • Porch, Rebecca. “Public Art- an off the Wall Prepositions?” Urban Studies 76 (2000): 16-19.
  • Remesar, Antoni. Public Art: Towards a Theoretical Framework Urban Regeneration a Challenge for Public Art. Barcelona: Publications de la Universitat de Barcelona, 2001.
  • Rendell, Jane. Art and Architecture: A Place Between. London: IB Tauris, 2006.
  • Richards, Greg. “Creativity and Tourism: The State of the Art”. Annals of Tourist Research 38/4 (2011): 1225-1253.
  • Richards, Greg and Lenia Marques. “Exploring Creative Tourism: Editors Introduction”. Journal of Tourism Consumption and Practice 4/2 (2012): 1-11.
  • Richards, Greg. “Cultural Tourism: A Review of Recent Research and Trends”. Journal of Hospitality and Tourism Management 36 (2018): 12-21.
  • Santamarina-Campos, Virginia, Blanca de-Miguel-Molina, Maria de-Miguel-Molina and Marival Segerra-Ona. “Digital Integration of the European Street Art: Tourism, Identity and Scientific Opportunuties.” Tourism, Culture and Heritage in a Smart Economy: 3rd International Conference IACuDit. Edited by Vicky Katsoni, Amitabh Upadyah and Anastasia Stratigea. Cham: Springer, 2017, 35-47.
  • Selwood, Sara. “The Benefits of Public Art”. Cultural Trends 6/23 (1994): 37-55. Accessed May 5, 2020. https://doi.org/10.1080/09548969409364980
  • Sheikh, Simon. Kamusal Alanın Yeri Ne mi? Edited by Pelin Tan and Sezgin Boynik. Istanbul: İstanbul Bilgi University Press, 2007.
  • Sharp, Joanne, Venda Pollock and Ronan Paddison. “Just Art for a Just City: Public Art and Social Inclusion in Urban Regeneration”. Urban Studies 42 (2005): 1001-1023.
  • Simonic, Tanja. “Preference and Perceived Naturalness in Visual Perception of Naturalistic Landscapes.” Journal of Biotechnology 81-2 (2003): 369-387.
  • Smith, Melanie. Issues in Cultural Tourism Studies. London, New York: Routledge, 2003, 145.
  • Strabon. Antik Anaolu Coğrafyası (1. yy). Translated by Adnan Pekman. İstanbul: Arkeoloji ve Sanat Yayınları, 2000.
  • Torre, L. Azoe. Waterfront Development. New York: Van Nostrand Reinhold, 1989.
  • Tuzcu, Ali. İlkçağlardan Cumhuriyete Seyahatnamelerde Amasya. Amasya: Amasya Belediyesi Kültür Yayınları, 2007.
  • Whyte, William. The Social Life of Small Urban Spaces. New York: Project for Public Spaces, 1980.
  • Varol, Elif Başak. “İnsan Çevre Etkileşimi Açısından Kamusal Mekanda Sanatın Rolü”. MSc Thesis, Istanbul Technical University, 2004.
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There are 75 citations in total.

Details

Primary Language English
Journal Section MAKALELER/ARTICLES
Authors

Emel Birer 0000-0003-0152-3690

Publication Date July 29, 2022
Submission Date August 18, 2021
Published in Issue Year 2022 Issue: 18

Cite

Chicago Birer, Emel. “Contributions of Art in Public Space to the Riverside Urbanity: Amasya Examplar”. Art-Sanat Dergisi, no. 18 (July 2022): 87-112.